Between a rock and a hard place pocket god episode
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A tour bus makes lots of short stops where the people get out and walk around a site a bit, snapping photos, visiting the gift shop, and otherwise learning all the things. Today is why we came. More than walking around and grabbing a brochure and a snack, we will take off our shoes and get down low to the ground. We will put our ear to the ground and listen for the seismic reverberations of the ancient, ever-radiating Word of God.
In Genesis 3, after their fall from glory, the man and the woman covered themselves and hid from God. At the site of this holy visitation, Moses was hidden by God. God hid him in the cleft of the rock. A cleft is a crevice—a split in a rock face—like a small cave-like opening.
He has the two stone tablets, inscribed with the Law with him. In other words, he said Yahweh. It has been described as the very sound of breath. In the Hebrew Bible he says Yahweh twice. Then he goes on to elucidate the fullness of what this name means. In case you read that too quickly. Wherever you are reading this, find a way to get nearer the ground. Kneel, stand, and bow your body downward, prostate yourself, whatever you can do to signal to yourself the Lord is passing by.
Now speak these words aloud so your ears can hear them just as Moses ears heard them: the compassionate and gracious God, slow to anger, abounding in love and faithfulness, maintaining love to thousands, and forgiving wickedness, rebellion and sin.
This is our God. This is why we came. This is the encounter we never get over. It was the last scene Mando filmed on Better Call Saul. Each take would last one to two minutes with Mando performing the stunt himself, using about 40 U. Its thickness made it difficult for Mando to submerge, so he had to hold onto horizontal scaffolding poles nearby to pull himself under.
Resetting the scene would take at least an hour. The set in the studio had to be flipped upside down every time the crew wanted to point the camera in a different direction so a crane could fit inside. It took two days to prepare and was shot using a motion control rig. Mando compared Nacho's phone call to his father played by Juan Carlos Cantu to the legend of Orpheus and Eurydice , which details the story of a man between a rock and a hard place who voluntarily goes through Hades to save the person he loves on the condition that he can never see her again.
But his heart turns around and asks his father to come with him, indirectly, subtextually. And his father says no. So he willingly walks back into the fire and trades his life for the life of his father. Mando said he did not shoot his side of the conversations with Cantu or Jonathan Banks , who plays Mike, on set because he thought it would be ideal if the actors did not see each other, much like the characters they played, to create a sense of disconnection. Mando agreed to be on set when Cantu shot his side of the dialogue.
He also said it was the moment Nacho and Mike's relationship broke apart as they made allegiances to different people, Nacho to his father and Mike to Gus. A Latin American documentary about the Aztecs and the Mayans , which said the victors of a sport would sacrifice themselves for their gods to bring rain, inspired Mando's performance. He viewed his character's suicide as a moment of no regrets because Nacho knew when and for what reason he was going to die: "For the first time in his life, he has a clear image of himself.
A series of misfortunes arose in the process of shooting the scenes in the desert. Off-set, Mando was rushed to the hospital after he severely cut his thumb and lost all sensation in his left hand. He was not able to start shooting his scenes for a week and a half. On the first day of filming the desert scenes, a sandstorm hit the set and production was paused; at the time they stopped, everyone's coverage had been shot but Mando's.
Resuming the next day, Smith gave Mando a note that changed Mando's interpretation of Nacho's last words; Mando said he "realized that this was not an f-you speech, this was a speech that is filled with the underlying values and integrity of who Nacho really is, and where he'd like to see his community go". That night, Mando arrived home to discover that a tree struck by lightning had fallen in his driveway, blocking his entrance.
He noted their newly developed habit of smoking indoors as a sign that the "discipline is breaking down a little bit. It's a little bit chaotic and dangerous, but not terribly. Every step down a slippery slope is fine until you're at the bottom. The crew found a parallelogram-shaped parking garage to shoot the scene.
The staircase in the location had a hollow spot where they could fit the camera with a descender rig. Smith described it as "building a little elevator shaft for a camera body in this small, triangular hole that ran the length of the stairwell". He received critical acclaim for his performance.
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